
Since I’m unemployed…I’ll be posting daily character designs using this character generator at http://itscharacterdriven.blogspot.com/
big-boned
annoyed
Priest (Priestess, Minister, Rabbi, Evangelist)
enjoy

Since I’m unemployed…I’ll be posting daily character designs using this character generator at http://itscharacterdriven.blogspot.com/
big-boned
annoyed
Priest (Priestess, Minister, Rabbi, Evangelist)
enjoy
speed paintings…ish?

Paranorman!!!! Gahhh I can’t believe I got the art book so early >.

Week 1 assignment:
create a pitch poster for the book “Something Wicked This Way Comes” by Ray Bradbury

Influence chart for vis dev with victoria ying and mike yamada

quick value study
From ~Maidith on deviantART:
“How do I improve my art work?” is one of the most asked questions in art related forums, mainly regarding drawing and painting in any media. Because the question is recurring so often, I wrote the following tips that I still copy-paste in various threads.
You can apply these universal strategies not just to traditional and digital painting media, but most of them even to photography and collage.
– Look at pictures by artists you admire, and try to figure out things. How do they handle light and color? What edges are sharp, and what edges are soft? Why do they use that particular color there? What technique did they use? How did they work? The more you look at work of others, the more different kinds of styles and techniques you will see.
– Learn from the masters. Copy works you adore. Not for imitating the artist or showcasing your copy, but for the sake of learning. Don’t be shy, ask your favorite artist everything you want to know, such as “What paper do you draw on?”, or “How do you go about painting a picture, do you start with a sketch?”, etc. But be specific, don’t ask “how can I paint like that?”. And check the artist’s website, chances are they already have tutorials, a FAQ or step-by-step tutorials there.
– Challenge yourself. Never used a particular medium? Then buy it, no matter how poor you are, and try it out. Never drawn a still life? Do it. Never used that particular color scheme? Give it a try. At a certain point, when you are afraid of repeating yourself, you are on the right track to improve.
– Use reference. If you aim for realism, you can’t paint most things straight from your imagination. The old masters always made preliminary studies of life models, and did most paintings from life models too. For example, if you are unsure how to paint a head with the light source from below, look up a photo, or take it yourself, or have someone pose for it. It is worth every effort!
Stock photos from deviantartists can be a valuable resource also and provide inspiration.– Draw from life. It’s probably the most valuable practice that there is. Sign up for a life drawing class so that you’ll be actually “forced” to do it. Believe me, it works wonders.
As for studying anatomy from books about figure drawing (Loomis, Bammes, etc.) a good exercise is to copy the body parts and figures in there and then trying to draw the same from your mind to see how much you remembered.– Look up tutorials. Browse through the tutorial section and study the many different ways and media of the different artists. Also visit the websites of the great artists here – many have tutorials up there.
– Collect pictures. On my harddisk, I have different folders of fantastic art.
They are very inspiring to browse through and can give you new ideas in terms of technique. Whenever I feel uninspired, I look through my folders.
The images I’ve collected over time, mainly from Cgtalk.com, Deviantart, Epilogue, Artrenewal.org and many other websites.Further Reading:
Why Reference is not a crutchUseful resources
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[link]Forums for those who want to learn
ConceptArt
SijunAlso check out CGHub, they not only have a forum but other artists can share their various digital brushes and such.

Paperman, a Disney short that will be shown before Wreck-it-Ralph in November, blends 2D and 3D and is the directing debut of animator John Kahrs (Toy Story 2, Tangled, Incredible).
Using a minimalist black-and-white style, the short follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting… with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
WHAT A BEAUTIFUL SHORT! AMAZING >.<
